‘Margaret Pole
was going to be a victim, but instead as I learnt more it became the story of a
vendetta.’ So says Philippa Gregory of her latest novel, ‘The King’s Curse’,
about the last Plantagenet princess, Margaret Pole, who lived a long life at
the Tudor court but whose luck finally ran out ending in a brutal death. The
more Gregory researched, the more she became intrigued by the dynamic between
Margaret and the Tudors. ‘It became a darker book. Really, it is about a king
whose power increased immeasurably until he became a tyrant. Finally she was a
victim of his paranoia.’ The King of course, is Henry VIII. She laughs, ‘I’ve spent the
past twelve years with Henry, which is more than most of his wives.’
Why ‘The
King’s Curse’?
'It was going to be called ‘The Last Rose'There is a legend that the Tudors are cursed. After all,
they bring the ‘sweat’ to England and they cannot get an heir. In the White
Queen series I fictionalised a scene with Elizabeth Woodville cursing the
murderer of her sons, the princes in the tower. Now a real 'curse' has come to light.'
What is this curse?
‘New medical research shows that Henry VIII is likely to
have had Kells disease, which is hereditary. It is carried down the female
line. It can cause miscarriages, stillbirths and infant deaths.’
Who was Margaret
Pole?
'Margaret was entrusted with the care of prince Arthur at
Ludlow. She was also one of Catherine of Aragon’s ladies, and governess to
princess Elizabeth. But so little survives of her because I believe she was
plotting against Henry and therefore she probably destroyed everything she
wrote.'
Have you ever been
tempted to write non-fiction?
‘There’s something about writing fiction which is infinitely
superior to writing history. You can write a truth, which is not a fact. I look
at the events and what people did and speculate. I can tell you the colour of
Margaret Pole’s dress when she came to court, because we have the wardrobe
records, but no one can tell you her thoughts.’
How much research is
enough?
'The more I write, the more I understand what you have to
leave out. Just because I have spent months learning something doesn’t mean you
are damn well going to know it too. A novel cannot be a thinly disguised
history lesson; it has to have drama of its own, a great story.'
How do you create
such strong female characters?
‘I write about people very like us in a society very unlike ours. You have to remind readers,
at that time all your property belonged to your husband, he was entitled to
beat you as long as he used a stick no thicker than his thumb. Women wouldn’t
have behaved as we do now.’
What is your writing
routine?
'I write anywhere and at any time. I have a laptop with me on
my book tour. But I never write more than four hours a day; otherwise I begin
to dream in character. That way madness lies.’
Did you study
history?
‘No. I got an E in A-level history. So, I became a local
journalist, then went to university having worked a few years, where I picked
up history again as an extra course.’
If you could go back
in time, when would it be?
‘I wouldn’t be anything other than a modern woman. If you
are a woman before 1834 all your property will belong to your husband. If you
are a woman before 1918 you will have no vote, and if you are a woman before
1960 no contraception. Of course, you can be a rich man at any time in
history.’
PHILIPPA GREGORY WAS SPEAKING AT THE NATIONAL ARCHIVES, KEW. THE KING'S CURSE IS OUT 14TH AUGUST 2014.
PHILIPPA GREGORY WAS SPEAKING AT THE NATIONAL ARCHIVES, KEW. THE KING'S CURSE IS OUT 14TH AUGUST 2014.